
So I sought him out on eMusic and found this great compilation on Document Records -- six Utah Smith tracks (including the one I heard on Sonic Nightmares) and 16 of the Rev. Lonnie Farris.
The Smith songs live up to the romise of "Take a Trip." The guy sang like Blind Willie Johnson and played guitar like a hopped up Sister Rosetta Tharpe. There's three versions of his song "Two Wings" here, but all are worthy. These songs were recorded in the '40s and '50s.
I came for Elder Smith, but I stayed for Rev. Farris. These are more recent recordings than Smith's -- from the 1960s I believe. His music sounds like a direct precursor of the Sacred Steel records we've come to know and love from Arhoolie.
But on some songs, Rev. Farris has a sax player. These are some of the grittiest recordings to ever come out of a church.

This is a 1996 collection from Damaged Goods Records, Billy Childish's label. Billy's here, kicking off the album with Thee Headcoats, doing a song called "Deer Stalking Man" a tune lampooning hunting, done with a Bo Diddley beat.
Billy's pal Holly Golightly is represented with a hard-thumping fuzzbuster called "In You."
My favorite track here is "Haywire Hodaddy" by The Hodads. It's surf gone wrong, making The Trashmen look like The Lennon Sisters.
And hell, it's the closest thing eMusic has to "Hodad Makin' the Scene With a Six Pack" by The Silly Surfers. When is someone going to re-release the Silly Surfers/Weird-ohs album?

*The Wham of That Memphis Man by Lonnie Mack. Here's a classic 1963 debut album from an influential rock 'n' blues guitarist and underrated soul shouter.
It's from that post rockabilly/pre-Beatles period when rock 'n' roll supposedly had died. Maybe the teen idols ruled the charts, but the underground was alive with the likes of Lonnie Mack.
This album has plenty of Lonnie's best known instrumentals like "Memphis," "Susie Q" and "Wham," plus a generous helping of sweet greasy ballads, where Lonnie goes from a sob to a shout in nothing flat.

*America's Queen Mother of Soul Got a Brand New Bag by Big Maybelle. You got your ridiculous -- "The Eggplant That Ate Chicago" -- and you got the sublime -- "That's Life," yes, the Frank Sinatra tune. And both with "Mellow Yellow." This is a collection of mid '60s hits that some producer almost certainbly forced this blues shouter to sing. It wouldn;t surprise me if she hated it. And it's sure not Maybelle's best.
But it's a hell of a lot of fun. She turns "96 Tears" into a soul workout." Same with The Troggs' "I Can't Control Myself." And she pours her guts into the soggy, middlebrow Eddy Arnold hit "Turn the World Around the Other Way."
Had I been the producer of this record (instead of being 14 years old or whatever I was at the time, I wouldn't have let Big Maybelle touch the wimp-rock whiner "There Has to Be a Word That Means More than Love." She sounds as if she's trying to imitate Eartha Kitt here, but she ends up sounding more like Claudine Longet here. But she makes up for it with the electrifying "Black is Black."

*Canten En Espanol by Wau Y Los Arrrghs!!!
There are some bitchen sounds coming out of Spain these days.
The Hollywood Sinners commemorated these guys, their fellow countrymen in song, and I gave them another listen when I was writing about Spanish-language rock in my recent review of Los Peyotes. The group's members include Juanito Wau, Satu Arrrgh!!!, Molongui Arrrgh!!!, Isidro Arrrgh!!! and Fletan Arrrgh!!!
This is their 2005 album from Voodoo Rhythm. About time for a new album, no?

This album isn't quite up to that level. But it's got a lot going for it. Just good crunching punk-ass blues with vocals (Mr. Edison I assume?) that sound like Captain Beefheart's criminal little brother. Spencer plays theremin on a couple of songs, but this is a blues explosion in its own right.
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